
When Americans look back on the Fifties and Sixties, we view those two decades in different shades of rose tinted glasses: white roses for the Fifties; blood red roses for the Sixties and Seventies.
In the Fifties, Dwight Eisenhower was President and everybody said, "I Like Ike!" Rock and Roll was young and catchy. The cars had fins: some big, some small. We rightly feared the Russians, but went about our business and enjoyed the most healthy economy we had ever witnessed. Oh, and we just won WWII. Also, the Roman Catholic Church in America was still celebratring the Tridentine Mass and honoring the Holy Father, Pope Pius XII. But, underneath this sweet and idyllic venere flowed a river of treason and moral corruption. That river is called The Beatnik.
The Beatnik has a few estuaries, most notably The Hippy which branches off and flows right through the Sixties and Seventies. Humor aside, we view the Sixties and Seventies through the blood-red shades of Vietnam and the Counter-Culture. Michael J. Matt's "Gods of Wasteland" briefly addresses the Soviet program of menticide-"the lethal psychological process that leads to 'suicide of the mind." In it, Matt quotes Dr. David A. Noebel:
"...the Communist Conspiracy conducts a scientifically planned attack on the human mind on many levels with techniques adapted to the circumstances. It is true that methods vary in this field, but the object is the same-to create a sick mind." -(The Marxist Minstrels, American Christian College Press, 1974)
I do not need to contrast the decades of Rock with the decades of Jazz or the centuries of Classical as it is already very clear to the general public. But, the understanding of such a contrast differs between the older and younger generations: the older generations readily recognize the sickness of Rock while the younger generations dismiss such notions as manifestations of fear, ignorance, and intolerance. The younger generations are actually conned into believing that Rock is a sort of social vaccination against the visible evils of the world: maybe if I go to a Marilyn Manson concert and watch "MM" slice himself with a razor, maybe I won't have a problem watching a slasher movie anymore or; if I watch enough of 80's MTV, maybe watching some American Indian guy dressed like "Billy Jack" jumping off a cliff and flying like a bird in a Pink Floyd video will cure me of vertigo, then I could stand on my tippy-toes at the edge of Grand Canyon, paying no mind to the loose gravel there. I am not saying that this is what people think, but it is eventually what happens: people find themselves doing or saying things that they would not otherwise entertain. Ideas get distorted and egos become inflated. An excellent depiction of this can be found in the movie, "The Emperor's Club."
The Emperor's Club is about a prep-school teacher whose life becomes complicated when a new and disruptive pupil is introduced to his class. This student is the proto-typical revolutionary. When the teacher tries to instill morality and critical thinking in his students, this one pupil challenges him at every turn. One example is when the teacher has his students reading Julius Caesar aloud. The revolutionary reads the part of Brutus with complete disregard to the characters remorse of his killing of the Emperor, then proclaims that Brutus was a weakling and that Cassius -having no remorse- should have proclaimed himself Emperor. The teacher is totally taken aback by this student's complete willingness to embrace amoral absolutes.
The parts of this movie that explain the students ruthelessness -and his dishonesty during an academic contest- are his strained and distant realtionship with his father and the cache of porn magazines under his bed: true marks of the Cultural Revolution; the disconnected father who made his career in the Fifties and the son's anti-morality rebellion of the early Sixties.
Rock has always addressed and promoted these symptoms with mantra's like Don't trust anyone over thirty...especially since the one's over thirty are the ones who are responsible for the education of those under thirty. Ironically, those socialists who told youngin's back in the late Fifties and Sixties to not trust anyone over thirty are now themselves ancient...and way over thirty. So, given their Communist ideals and their standing orders, I am obliged to obey -in the spirit of our new Counter-Revolution- and not trust bearers of grey pony-tails on the fast track to retirement and dementia.
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Fast forward to the Twenty-first Century where such social conservative icons as Rush Limbaugh use Rock music in their program intros. This past month, I ran across an article in National Review Online by John J. Miller titled, Rockin' the Right: The 50 greatest conservative rock songs. I almost fell out of my chair as read this unbelievable article. Here, I will address Mr. Miller's article and disect it. My comments will be italicized and marked THA2.
(Disclaimer: I like some of these songs, so you will see me agreeing with some of their premises.
However, keep in mind what the Rock lifestyle has done to these people.
That is my angle.)
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Rockin' the Right: The 50 greatest conservative rock songs.
By John J. Miller
EDITOR’S NOTE: This week on NRO, we’ve been rolling out the first five and now all 50 songs from a list John J. Miller compiled that appears in the June 5 issue of National Review . Here’s a look at #1 and get the whole list—complete with purchasing links—here.
On first glance, rock ’n’ roll music isn’t very conservative. It doesn’t fare much better on second or third glance (or listen), either. Neil Young has a new song called “Let’s Impeach the President.” Last year, the Rolling Stones made news with “Sweet Neo Con,” another anti-Bush ditty. For conservatives who enjoy rock, it isn’t hard to agree with the opinion Johnny Cash expressed in “The One on the Right Is on the Left”: “Don’t go mixin’ politics with the folk songs of our land / Just work on harmony and diction / Play your banjo well / And if you have political convictions, keep them to yourself.” In other words: Shut up and sing.
But some rock songs really are conservative — and there are more of them than you might think. Last year, I asked readers of National Review Online to nominate conservative rock songs. Hundreds of suggestions poured in. I’ve sifted through them all, downloaded scores of mp3s, and puzzled over a lot of lyrics. What follows is a list of the 50 greatest conservative rock songs of all time, as determined by me and a few others. The result is of course arbitrary, though we did apply a handful of criteria.What makes a great conservative rock song? The lyrics must convey a conservative idea or sentiment, such as skepticism of government or support for traditional values. And, to be sure, it must be a great rock song. We’re biased in favor of songs that are already popular, but have tossed in a few little-known gems. In several cases, the musicians are outspoken liberals. Others are notorious libertines. For the purposes of this list, however, we don’t hold any of this against them. Finally, it would have been easy to include half a dozen songs by both the Kinks and Rush, but we’ve made an effort to cast a wide net. Who ever said diversity isn’t a conservative principle?
But some rock songs really are conservative — and there are more of them than you might think. Last year, I asked readers of National Review Online to nominate conservative rock songs. Hundreds of suggestions poured in. I’ve sifted through them all, downloaded scores of mp3s, and puzzled over a lot of lyrics. What follows is a list of the 50 greatest conservative rock songs of all time, as determined by me and a few others. The result is of course arbitrary, though we did apply a handful of criteria.What makes a great conservative rock song? The lyrics must convey a conservative idea or sentiment, such as skepticism of government or support for traditional values. And, to be sure, it must be a great rock song. We’re biased in favor of songs that are already popular, but have tossed in a few little-known gems. In several cases, the musicians are outspoken liberals. Others are notorious libertines. For the purposes of this list, however, we don’t hold any of this against them. Finally, it would have been easy to include half a dozen songs by both the Kinks and Rush, but we’ve made an effort to cast a wide net. Who ever said diversity isn’t a conservative principle?
So here are NRO’s top 50 conservative rock songs of all time. Go ahead and quibble with the rankings, complain about what we put on, and send us outraged letters and e-mails about what we left off. In the end, though, we hope you’ll admit that it’s a pretty cool playlist for your iPod.
1. “Won’t Get Fooled Again,” by The Who. ; The conservative movement is full of disillusioned revolutionaries; this could be their theme song, an oath that swears off naïve idealism once and for all. “There’s nothing in the streets / Looks any different to me / And the slogans are replaced, by-the-bye. . . . Meet the new boss / Same as the old boss.” The instantly recognizable synthesizer intro, Pete Townshend’s ringing guitar, Keith Moon’s pounding drums, and Roger Daltrey’s wailing vocals make this one of the most explosive rock anthems ever recorded — the best number by a big band, and a classic for conservatives.
1. “Won’t Get Fooled Again,” by The Who. ; The conservative movement is full of disillusioned revolutionaries; this could be their theme song, an oath that swears off naïve idealism once and for all. “There’s nothing in the streets / Looks any different to me / And the slogans are replaced, by-the-bye. . . . Meet the new boss / Same as the old boss.” The instantly recognizable synthesizer intro, Pete Townshend’s ringing guitar, Keith Moon’s pounding drums, and Roger Daltrey’s wailing vocals make this one of the most explosive rock anthems ever recorded — the best number by a big band, and a classic for conservatives.
THA2: Read these lyrics carefully! The Who are basically saying that there are no real differences between those in power. Example: Bill Clinton pushed for acceptance of homosexuality in the armed forces. The current Bush administration recently OK'd funding for NGO's supporting homo rights at theUN. As for Roger Daltry, this is the man who, many years ago on The Tonight Show With Jay Leno, jumped up on Lenos desk, stomped on it, and smashed it to pieces...with Leno still sitting behind it. Sorry Roger, you are not going to be my children's role model!
2. “Taxman,” by The Beatles. A George Harrison masterpiece with a famous guitar riff (which was actually played by Paul McCartney): “If you drive a car, I’ll tax the street / If you try to sit, I’ll tax your seat / If you get too cold, I’ll tax the heat / If you take a walk, I’ll tax your feet.” The song closes with a humorous jab at death taxes: “Now my advice for those who die / Declare the pennies on your eyes."
THA2: I have the Stevie Ray Vaughan version of this song. Admittedly, the lyrics strike a cord with me, as I assume it would with most Americans. Let us not forget, however, that George Harrison and Paul McCartney were members of The Beatles...the band John Lennon claimed was bigger than God, talked about a revolution, and told us to imagine a world without God.
3. “Sympathy for the Devil,” by The Rolling Stones. ; Don’t be misled by the title; this song is The Screwtape Letters of rock. The devil is a tempter who leans hard on moral relativism — he will try to make you think that “every cop is a criminal / And all the sinners saints.” What’s more, he is the sinister inspiration for the cruelties of Bolshevism: “I stuck around St. Petersburg / When I saw it was a time for a change / Killed the czar and his ministers / Anastasia screamed in vain."
3. “Sympathy for the Devil,” by The Rolling Stones. ; Don’t be misled by the title; this song is The Screwtape Letters of rock. The devil is a tempter who leans hard on moral relativism — he will try to make you think that “every cop is a criminal / And all the sinners saints.” What’s more, he is the sinister inspiration for the cruelties of Bolshevism: “I stuck around St. Petersburg / When I saw it was a time for a change / Killed the czar and his ministers / Anastasia screamed in vain."
THA2: I have only heard this song in passing and the notion of it being another Screwtape Letters is interesting, but given The Rolling Stones reported fascination with Allister Crowley and the image of Mick Jagger wearing a pentagram (which I have seen), I don't think The Rolling Candidates for the Geriatric Ward had the Christian intentions C.S. Lewis did when he wrote the real book, The Screwtape Letters.
4. “Sweet Home Alabama,” by Lynyrd Skynyrd. ; A tribute to the region of America that liberals love to loathe, taking a shot at Neil Young’s Canadian arrogance along the way: “A Southern man don’t need him around anyhow."
4. “Sweet Home Alabama,” by Lynyrd Skynyrd. ; A tribute to the region of America that liberals love to loathe, taking a shot at Neil Young’s Canadian arrogance along the way: “A Southern man don’t need him around anyhow."
THA2: It is true that America definitely does not need a liberal Canadian socialist telling us what to do. Canada is the last place on Earth that should dictate to anyone on morality and civil freedoms. However, America does not need to be told by Lynyrd Skynyrd that Watergate is no less a crime than venial sins or petty theft. Watergate was a tremendous crime that rocked a nation to it's core because of the ensuing scandal and the breech of trust by the President. This is known as a mortal sin which saw little or no repentence from the parties involved. Still, I like the down-home feeling of Sweet Home Alabama.
5. “Wouldn’t It Be Nice,” by The Beach Boys. ; Pro-abstinence and pro-marriage: “Maybe if we think and wish and hope and pray it might come true / Baby then there wouldn’t be a single thing we couldn’t do / We could be married / And then we’d be happy."
5. “Wouldn’t It Be Nice,” by The Beach Boys. ; Pro-abstinence and pro-marriage: “Maybe if we think and wish and hope and pray it might come true / Baby then there wouldn’t be a single thing we couldn’t do / We could be married / And then we’d be happy."
THA2: I don't know a whole lot about The Beach Boys. They seem pretty harmless. But, then I guess that's what the Soviets wanted: introduce a cotton-candy kind of music that puts unrealistic expectations of marriage in the minds of young people so when those expectations are not met, there's always divorce. In comparison, Jazz -not without it's own sins- often tells a more honest tale of love and marriage. If you want to hear a great song about what a real family is like, listen to Nat King Cole's, "That Sunday, That Summer."
6. “Gloria,” by U2. ; Just because a rock song is about faith doesn’t mean that it’s conservative. But what about a rock song that’s about faith and whose chorus is in Latin? That’s beautifully reactionary: “Gloria / In te domine / Gloria / Exultate."
6. “Gloria,” by U2. ; Just because a rock song is about faith doesn’t mean that it’s conservative. But what about a rock song that’s about faith and whose chorus is in Latin? That’s beautifully reactionary: “Gloria / In te domine / Gloria / Exultate."
THA2: I have never heard this song, but I have a few reasons to avoid U2. Again, I love their music, but what I like does not matter compared to what is expected of me as Christian. Remember that U2 went through their cross-dressing period during "Achtung Baby." Also, in a recent interview, Bono spoke of a song called "Wild Irish Rose" which he wrote/re-wrote and how he was able to "wonderfully subvert" the Irish folk-style. For him, I am sure that it was an artistic expression. The trouble with U2 is that they borrow pretty directly from the Beatniks with Bono's very poetic bent. Then again, poetry has always been a huge part of Irish tradition. In their attitude towards society and the Papacy, I think there is more hope for U2 and it's members than any other Rock band out there. But, then again, we are most likely talking about a band of Pied Pipers. U2 may very well be menticide at it's deadliest.